12 Works in Aragaki Shinjiro & Yamagishi Fuuka
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Butterfly Effect: (noun) A phenomenon whereby a small change at one place in a complex system can have large effects elsewhere.
A re-imagining of the latter half of Persona 3 Reload; one small change turns out to mean the difference between life and death on October 4th, 2009.
Shinjiro Aragaki lives, and now he has to figure out what that means. But he doesn't have to figure it out alone. (cross-posted from tumblr)
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Then he thinks about how just last week, Takeba had asked Shinjiro if he had a partner 'like that' after he'd stumbled across Junpei and Takeba discussing Shiomi's tennis club friend who'd recently confessed to her crush who'd also happened to be her childhood friend. As if.
Where Shinjiro gets pestered by his juniors and is forced to reflect on his childhood. Except, it's not such a bad thing after all.
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“You’re welcome to say whatever’s on your mind, Yamagishi.” Akihiko keeps his gaze on the girl as he leans forward for good measure, assuring his body language remains open and inviting—both primary examples of active listening.
“I know.” Yamagishi rewards his reassurance with a small smile. She takes another moment to gather her thoughts before her posture straightens. “I was wondering… Sanada-senpai, would you be willing to teach me how to fight?”
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Fuuka asks Akihiko to teach her how to fight. He doesn't want to.
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It doesn’t skip his notice. Now that he’s looking at her, really looking at her, he can see how her face flushes a little at the mention of Takeba. Her cheeks bloom with this slight pink hue.
Which he squints at, like he didn’t much understand why someone’s face might turn that colour. In his defense, he wasn’t quite expecting it, but she seems to crack under the pressure of his scrutiny because she startles and looks away.
Oh, he thinks. So that’s how it is.
Fuuka messes up dinner. Shinjiro tries to figure out what's bothering her.
Series
- Part 2 of for others
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The group makes their way out onto the sidewalk, the sun spilling down on them from overhead. It’s pleasantly warm against the looseness of Mitsuru’s swimwear. She takes things slow, hanging at the back of the group, in part to continue enjoying the sun without much interruption, and in part because Yukari is walking at the back too, fiddling with her sunscreen bottle with a little wrinkle in her nose.
“Do you need some help with that?” Mitsuru asks, and nudges Yukari’s arm with her elbow.
“Huh? Oh, Mitsuru,” Yukari smiles, “no, I’ve got it. I think, anyway. The seals on these things are so annoying when they’re new…”
It doesn’t help that Yukari is sporting a new manicure—temporary, mind. She’d called her new nail set press-ons, so Mitsuru assumes she can take them off. Yukari doesn’t typically spring for fancier nail styles like that to accommodate her archery hobby. It also makes it hard for her to peel off the tinfoil top of the sunscreen bottle, and after struggling silently for a few more moments, she lets out a resigned sigh and passes the bottle to Mitsuru.
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SEES takes a trip to the beach. Fun times are had!
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Denial, anger, bargaining, depression, and acceptance: Kübler-Ross referred to them as the “five stages of death.” Eventually, she adapted and extended her model to include other kinds of loss. The five stages of death became the five stages of grief. This grief can come in many forms and for different reasons. Everyone, from all walks of life and across cultures, experiences loss and grief at some point.
Mourning doesn’t come only from dealing with your own death or the death of a loved one. Mourning can also come as a result of a close relationship. Grief can similarly come from a perceived or real change in your life. In other words, there’s no written-in-stone list of “valid” reasons to grieve.
What matters is how you feel. And there are no right or wrong feelings regarding a loss.
A 1st person POV of what Fuuka Yamagishi's thoughts and feelings were while she was a member of S.E.E.S., in which she goes into detail about the time she fell in, and out of, love with Shinjiro Aragaki.
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Watch how they fall. Submit to your fate.
"I'm watching," she whispers.
Fuuka hurls the smoke bomb to the ground.
Fuuka Yamagishi defies Cassandra's curse with the help of an Oracle, a ghost, and a few homemade recipes.
Time loop. P3/P5 crossover.
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Shinjiro walks in while Fuuka and Minato are wrestling with a complicated recipe, and he can't help but help them.
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Fuuka makes rice balls on an idea she has from a half remembered conversation with Akihiko.
Inspired by dancing moonlight. -
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Cooking was an exact science, and Fuuka was great at science. Just, for some reason, all of her food ended up either raw or overcooked. Fortunately, Shinjiro might know how to help.
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Fuuka confesses to a comatose Shinjiro how everything has been going, and yet she wonders how bad loneliness can really feel and tug at the heartstrings. // slight Fuuka/Shinjiro
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Shadows by intaglionyx for Rosage
Fandoms: Persona 3, Persona 4, Persona 4 Arena - Fandom
17 Jan 2013
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How is cooking like sewing?
(Kanji Tatsumi's father isn't the only person he resembles these days.)