Chapter 1: Sept 9 - 15: Burning Down the House
Summary:
In which I invented the timestamp roulette art challenge.
Chapter 2: Sept 16 - 22: Eclipse ; Free Willie
Chapter Text
Eclipse
A five-minute redraw of the two-hour sketch above:
Bonus Mojo Rising screenshot redraw because I was learning to doodle and this screenshot happened to be there when I looked:
Free Willie
Economy style doodle with a ballpoint pen on the back of a used envelope:
Chalk pastels:
Bonus Dief & relatives content because I was learning to draw with chalk pastels:
Chapter 3: Sept 23 - 29: Dr Longball ; I Coulda Been a Defendent ; Diefenbaker's Day Off
Summary:
In which I experiment with different art supplies.
Chapter 4: Sept 30 - Oct 6: Manhunt; Easy Money ; Strange Bedfellows
Summary:
In which I have to abandon the chalk pastels.
Chapter Text
Manhunt
I was really falling in love with the chalk pastels, but unfortunately the dust was too much for me. So, my last chalk pastel:
Easy Money
Angry doodles in color (angry because I was dealing with the chalk pastel thing).
Wondering if I should focus on practising freehand digital painting?
Strange Bedfellows
Or maybe slashy paintover tidbits should be my thing till the end of time? (Added touch there, otherwise screenshot based.)
Chapter 5: Oct 7 - 13: Seeing is Believing 9 ; They Eat Horses, Don't They?
Summary:
In which things go pretty smoothly. Bonus F/K slash piece included.
Chapter Text
Seeing is Believing
Digital doodling:
They Eat Horses, Don't They?
Just doodling (pencil + fineliner pen; forgot to draw the gal's other eyebrow before I erased the pencil sketch :D )
Bonus content
Slashy digital doodle: traced a stock photo for the base, but didn't even look at reference pics after that, except for the flag (and the turtle I drew from model - I have one sitting on my own window sill). Working this quickly and in sketchy style like this - an original slashy artwork done in mere two hours! - is new to me and it probably says a lot about me that I was unsure if I could allow myself to post this as a standalone work, because, because... because I didn't put enough effort into it...? because it was just a bit of fun...? because it's not up to my usual "real artwork" standard"? And there's your answer: I decided to hide it here in the end of the chapter.
Chapter 6: Oct 14 - 20: Bounty Hunter; Pizzas and Promises
Summary:
In which I hear the call of the pastels again (only this time, oil pastels).
Chapter 7: Oct 21 - 27: Ladies' Man; Mountie and Soul; Chinatown
Summary:
Oh oil pastels we're really in it now.
Chapter Text
The Ladies' Man
This week, I experimented a little:
Then attempted a more organized approach to coloring:
Mountie and Soul
There was a failure:
And what I dare call a success (if only it was always this easy):
Chinatown
Can't win every time, but I'm going full steam ahead. This was a very good week.
Chapter 8: Oct 28 - Nov 3: Spy vs Spy ; Mojo Rising
Summary:
In which I draw Fraser and RayK (what a surprise).
Chapter Text
Spy vs. Spy
Really enjoying working with oil pastels now.
Mojo Rising
I was afraid to attempt this one, because here the likeness matters so much (a lot of my previous sketches have been so small that there's no way of putting much detail on the faces so I just haven't cared). Thankfully it turned out pretty nicely - I didn't feel like I knew what I was doing with skintones and stuff, but hey, I guess I can say I'm seeing some progress in this project!
Chapter 9: Nov 4 - 10: Dead Men Don't Throw Rice ; North ; Chicago Holiday Part 1
Chapter Text
Dead Men Don't Throw Rice
Here I wanted to see if the first two months of this project - two months of weekly art practise - has made it any easier for me to draw these pencil sketches. I'd say yes, this took 45 minutes, hardly any eraser and zero tears or frustration.
North
The week flew by and I went the easy route the final night: an oil pastel landscape of North...
Chicago Holiday, Part 1
...and the quickest possible drawing of a night scene in Chicago Holiday (10 x 12 cm, fibre-tip pens and colored pencils on a used envelope).
Chapter 10: Nov 11 - 17: Odds ; Asylum ; Chicago Holiday, Part 2
Notes:
Oh dear - a three-episode week in the stacked rewatch, and I left it all to the last day which also turned out to be a headache day. But I'm not leaving any eps "for later", so here are super quick digital freehand doodles, one per episode. D-U-N done!
Chapter 11: Nov 18 - 24: Mountie Sings the Blues
Summary:
One-episode week in the stacked rewatch! I chose to draw my favorite screenshot of my favorite Dief. <3
Chapter 12: Nov 25 - Dec 1: Perfect Strangers ; A Cop, A Mountie, and A Baby
Chapter Text
A Cop, a Mountie and a Baby
This was visually such an uninspiring episode for me that I picked one random crowded moment for a quick sketch (fibre-tip pen, pencil sketch erased, about 20 minutes).
Perfect Strangers
Oil pastels on light brown paper, about 1,5 hours (a couple of digital strokes added to the corner of his mouth because I noticed the highlight there needed some adjusting and I couldn't be arsed to go through the photographing part again).
That screenshot of Fraser has so many of my usual portrait pitfalls (eyes from half profile, lips open, teeth showing) that I'm amazed that I didn't ruin this. It turned out much better than I dared hope, especially as I left this one for pretty late on Sunday night and had just gotten through a (blessedly short) migraine.
Chapter 13: Dec 2 - 8: Vault
Summary:
Dabbling in gouache this time.
Chapter Text
This is my very first attempt with gouache. :D It was a frustrating experience; I nearly abandoned this half-way through, but then realized I had no inspiration to start anything else for this episode, so I dutifully colored the rest of the page without any clue what I was doing.
As I was trying to mix these fast-drying tube paints, I realized one thing I've really come to love about oil pastels during my dS art project is that I can mix my colors on the spot, on paper (also, a vast variety of colors so I don't necessarily have to mix any myself). But I also realized I want to learn how to work with gouache as it seems such a versatile medium - I'll go watch some instruction videos on YouTube now!
Chapter 14: Dec 9 - 15: Witness ; The Gift of the Wheelman
Chapter Text
Witness
A quickie sketch of this bit part guy from Witness whose intense look into that book makes me laugh every time. He has Eyebrows.
The Gift of the Wheelman
Continuing my gouache exercise with this fun reindeer moment (wasn't too fussy about likeness, got Fraser's face and build all wrong in fact).
LOL, also: "Gouache dries to a matte finish and photographs well", they said. Of course I was delighted to hear that. So WTF is that? *points to the shiny white paint in this picture*
Chapter 15: Dec 16 - 22: Good for the Soul ; Bird in the Hand
Notes:
(See the end of the chapter for notes.)
Chapter Text
Good for the Soul
Oil pastels on grey-blue paper, a little over 2 hours.
Bird in the Hand
Have yourself a merry little Turnbull! (Well not so merry, it's his first time in this show! But he's only trying to help!)
Pencil sketch, about half an hour.
Notes:
Next week there are no episodes in the stacked rewatch - I don't know yet if I'll take a break or use this as an "ad break" and draw something from the many delightful due South promo pics. Anyway, happy holidays!
Chapter 16: Break Week: The Purple Couch Promo
Notes:
Wanted this year to go out in style, and also wanted to make some promo pic art for the break week (oops, technically last week) in the stacked rewatch, so I squeezed in an oil pastel sketch of the horrible purple couch in the last two hours of the year. I intended to - and tried to - do this during the weekend but I started it on some generic purple cardstock and hey, I forgot the oil pastels have no grip on normal paper and it failed spectacularly. :D But here I am now, 5 minutes to midnight, something new finished (well not quite finished-finished). Happy new year, everyone, let's make even more dS art in 2025!
Chapter 17: Dec 30 - Jan 5: Dead Guy Running ; You Must Remember This
Summary:
Fraser, Fraser.
Chapter Text
Dead Guy Running
A quickie digital portrait of disheveled Fraser at the end of the episode. A great look on him. :)
You Must Remember This
Wanted to see if I could capture that reflection with oil pastels at all - not a great likeness but the basic atmosphere of the scene is okay, I guess. (I didn't spend much time on this - maybe an hour - as I knew it wouldn't photograph well: the blank parts of the black paper shine in the photo even more than the pastels do. Added some digital blur to make it look a bit better.)
Chapter 18: Jan 6 - 12: The Promise
Chapter Text
The Promise
Catching up with the rewatch schedule with this 15-minute fineliner sketch of The Promise. I had no idea what to choose from this ep, so I was glad that the good old timestamp roulette approach saved me. No decisions, just sketching random scenes!
(I made the brother look like a wookiee... :D )
Chapter 19: Jan 13 - 19: Mask ; A Hawk and a Handsaw
Notes:
Quicky sketches because RL has been annoying and sad, and I have a headache and a stiff neck (whenever I have a stiff neck, I feel like I'm completely shit at drawing, I feel really clumsy and have zero patience). The only thing worth noting here is that I didn't even take screenshots for the Mask sketches, just stopped the video and drew what was there as quickly as I could, without any idea what the full page was going to look like (normally I take screenshots and give some thought to where everything goes). Started the same way with the other one, gave up after the first sketch and just added some color.
Anyway, we've officially reached the halfway point in the dS stacked rewatch! I'm a little surprised I've gotten this far with my art project, but I worry a bit how my interest will hold, because after next week's A Likely Story - a beautiful ep! - it'll be early March before there's more CKR and Draco. I guess I'll just have to make the most of next week! :)
Chapter 20: Jan 20 - 26: A Likely Story
Chapter 21: Jan 27 - Feb 2: Juliet is Bleeding ; An Eye for an Eye
Chapter Text
Juliet Is Bleeding
I was randomly clicking through the episode to find something to draw, and when I saw Elaine in this scene, I didn't look any further. I'm pretty happy with how this one turned out, it was smooth sailing from start to finish (and this time I didn't do a closer side-by-side scrutiny with the original screenshot afterwards, saves me so much angst lol). Oil pastels, 1.5 hours.
An Eye for an Eye
The hazards of being a too cute city wolf. :D
Chapter 22: Feb 3 - 9: One Good Man ; The Man Who Knew Too Little
Chapter Text
One Good Man
A little oil pastel study of Fraser and his blue sweater.
The Man Who Knew Too Little
A digital sketch of the cafe scene in the end (set myself a 30 minute time limit, ended up using 45ish). I like the colors of the screenshot - haha, especially that there's no red uniform! Yes, I'm avoiding it, it got pretty tiresome to draw over and over again. :D
Chapter 23: Feb 10 - 16: The Edge ; The Wild Bunch
Summary:
With a bonus F/K hug for Valentine's Day.
Chapter Text
The Edge
Digital sketch, about one hour.
The Wild Bunch
Digital sketch, about 35 mins.
These two digital sketches had a really easy feel to them - maybe it was because I didn't do any lineart first, just started coloring from the background up.
Valentine's Day Bonus:
I needed to doodle this because it's two more weeks before there's another RayK episode in the stacked rewatch (lol, then soon after that there's the one week around March 11 when there's four RayK eps in one week, no idea how I'll handle that!).
Chapter 24: Feb 17 - 23: Starman
Chapter Text
Starman
Back in my "oh shit it's Sunday evening" schedule, but I had picked the screenshot to sketch from this ep weeks ago, so I wasn't panicking what to do, and my previously bad mood vanished while I was painting this guy painting his big red sign (working time exactly one hour). I think I'm starting to enjoy digital work again.
(I'm pretty sure this is the first ever fanart of this sign painter guy. Only took 29 years.)
Chapter 25: Feb 24 - Mar 2: We Are the Eggmen
Chapter 26: Mar 3 - 9: Say Amen ; The Blue Line
Chapter Text
Say Amen
Digital sketch, about two hours. Consistent brushwork and mixing skintones have always been my two big challenges in freehand digital painting - here I'm pretty happy with both, feels like progress.
(Again, no undersketch here, started on blackish-blue canvas (the color of Fraser's overcoat) and blocked in the silhouettes of the characters by surrounding them with the background color, and that worked great.)
The Blue Line
A digital sketch again (the usual "Sunday evening squeeze" edition).
I can't remember if Fraser receives many late night visitors when he's reading in bed like this (okay it wasn't even 7pm in this instance), but Mark's visit always reminds me of Frannie's visit in the next episode, The Deal.
Chapter 27: Mar 10 - 16: Hunting Season ; Call of the Wild, Parts 1 & 2
Chapter Text
Hunting Season
Fraser's family. ❤
(Wanted to draw Maggie but didn't want to give up a single chance of drawing RayK, because his eps in the stacked rewatch are running out fast - CotW and MotB coming up next. No idea how long I worked on this - two-three hours? Did other stuff in between, lost the track of time. Anyway, my fingers are stiff now.)
Call of the Wild, Part 1
A 50-minute study of Fraser Senior (and a lot of fur).
Huh, I'm surprised that this is my first Bob in this project!
Call of the Wild, Part 2
He doesn't know yet that he's getting his happy ending after all...
This one took about an hour and a half I guess?
(Officially, Part 1 of Mountie on the Bounty also belongs to this week of the stacked rewatch, but I'm leaving the whole of MotB for next week.)
Chapter 28: Mar 17 - 23: Mountie on the Bounty
Chapter Text
Part 1
Finished this one 6:30pm: Oh dear, a two-episode Sunday and it's evening already! I would love to spend more time on MotB, but I got stuck doing something else today and don't want to be left behind in the stacked rewatch schedule - I'll just have to squeeze that Part 2 sketch out later tonight (managed to do this in between and around cooking and eating dinner). Now I'll head out for a while - it's a lovely early spring evening with blackbirds singing - and then it's back to these guys.
Part 2
Now it's 10:30pm: This is how far I got in an hour and a half - no more time tonight, so I call this week D-U-N done.
Now, Goodbye Ray Kowalski! Goodbye Draco-Dief! All that's left of the stacked rewatch now is 8 weeks of S1-S2 episodes (+ 2 weeks with no eps so I'll do some promo pics then). The episodes I most look forward to: Some Like It Red (next week!) and Victoria's Secret (early May) - beautiful ladies in those eps.
Chapter 29: Mar 24 - 30: Some Like it Red ; The Deal
Chapter Text
Some Like It Red
Damn, as excited as I was about the Some Like It Red week, here I am, producing a quick sketch on Sunday and nothing more. I could've picked any number of lovely close-ups of Ms. Fraser, but I have a soft spot for how she looks in this street scene, her hair open and her jacket properly cinched at the waist. Also, always fun to do a crowd scene and trying to keep a balance between the people that are your focus and the rest of the crowd. I moved things around a bit to make Fraser and Ray stand out a bit more, not having random people cover them so much.
The Deal
:D Guess who's tireeeeeddd...? I ended up tracing this scene that I at first intended to paint free-hand in my usual style - and then just added a few blobs of color and am. calling. it. done.
(I spent some time this weekend organizing my old Starsky/Hutch art into the dedicated S&H archive and was reminded of my most ambitious art series - the Rainbow Series - that was on hiatus for two years because one part just wouldn't co-operate. It took major effort to push myself to finish the series in the best quality I could produce. I promised myself I would never hang myself on such Big Projects again. And, in spite of its scope, this dS Stacked Rewatch project is not like that AT ALL: any silly doodle will do as long as I keep moving forward and stay on schedule. But I still need to remind myself of that sometimes when I feel I have two non-dominant hands and want to throw my art equipment into the wall. So, on we go, doodling all the way!)
Chapter 30: Mar 31 - Apr 6: White Men Can't Jump to Conclusions ; An Invitation to Romance
Notes:
Just messing around today. I wanted a quick way out of this week's art duty so I decided to do pencil/fineliner doodles. Somehow the fineliner would not dry on the paper I used and the ink smudged when I erased the undersketch. I tried rescuing what little there was to rescue by coloring the pics with colored pencils. Then I destroyed them with a random "rubber stamp" effect on photoshop to get rid of that half-assed coloring. I'm happy with my sketch of Fraser's sneaker shame though. :D And now I can enjoy the rest of my Sunday free of art worries - mission accomplished!
Chapter 31: Apr 7 - 13: All the Queen's Horses
Chapter Text
All The Queen's Horses
The return of the oil pastels! I hadn't touched them in a couple of months because I got so tired of first setting everything up and then tidying after and THEN trying to get the picture photographed in a way that it looks the same on screen as it looks in reality (=nearly impossible) - but actually working with oil pastels there in between is still fun and rewarding.
Chapter 32: Break Week: Coming & Going - Pilot & CotW
Notes:
It's a break week in the stacked rewatch, but since next week's schedule has three episodes including the pilot episode (and I'll be a bit busy), I decided to handle the pilot in advance. So, a pair of bookend landscapes: the very beginning of Fraser's Chicago journey and the very end where, led by Diefenbaker, he and Ray Kowalski have already dog-sledded into their happily-ever-after Arctic sunrise. These pictures are small, about 12x16 cm.
(See the end of the chapter for more notes.)
Notes:
I finally tested my second set of oil pastels (Mungyo Gallery) that I bought around New Year. They're much softer than the other set I've used so far (Van Gogh), and to my surprise they work well on a type of mix media paper where the VGs were disastrous. Also, my first impression is that they photograph better than the VGs. I'm pretty fond of the drier feel of the VGs, though.
Chapter 33: Apr 21 - 27: Heaven and Earth ; Body Language
Chapter Text
Heaven and Earth
Body Language
Sunday evening, doodling through the rest of this week's episodes. The good old timestamp roulette randomness worked again to take the pressure off the weekly art duty (I haven't used this format in a while; smelling the rat was a scene of my choice, though - it would've been unthinkable to not draw the rat!).
Chapter 34: Apr 28 - May 4: The Duel
Chapter Text
The Duel
Remembered just in time that this paper and ink were the disaster combo where erasing the pencil sketch smudged the ink - so instead of erasing, I added some pencil shading. This might be the second time the Riv makes an appearance in this project - and it's definitely the last lol. 4 more weeks to go!
Chapter 35: May 5 - 11: Victoria's Secret, Parts 1 & 2
Chapter Text
Part 1
Part 2
The two faces of Victoria (oil pastels + some digital glow effect).
(I don't know if this ever happens to you, but sometimes I see someone use a random silly nickname (that I don't even find particularly funny or original) about a character, and then for some reason it gets glued to my brain. So, thanks to some random fan, Victoria has been "Icky Vicky" to me for years now. Not sure if that nickname was a fandom thing at some point, but I can't get rid of it anymore. I'd like to, but nope. It stays.)
Chapter 36: Break Week: Benton and Dief
Chapter Text
For this last break week in the stacked rewatch, I had plans to make also an oil pastel sketch AND a digital sketch of this lovely promo pic, but real life (=a stomach bug) decided otherwise. So, I'm posting this 15-minute warm-up sketch I drew earlier in the week and call this antepenultimate week in this project D-U-N done (while hoping to keep down my first real meal of the day - it's 7:30 pm). Also, because the original photo is so sweet and I don't think my 15-minute sketch does it enough justice, I'll include the photo here as well. Love the whole concept, but Dief's fuzzy pants and beaver tail are the highlights here.
Chapter 37: May 19 - 25: Red, White, or Blue
Chapter Text
Red, White or Blue
Thatcher: Ah!
Fraser: Ah!
A few weeks ago, I had a cunning plan: make a bunch of art for the last weeks of the stacked rewatch in advance and then post them according to the rewatch schedule and enjoy the last spring weeks free of art-making pressure. LOL that was the plan, but here I am, presenting another 10-minute pencil/fineliner doodle on Sunday evening because I have time for nothing else. Ah indeed!
But: next week is the last week of this project!
Chapter 38: May 26 - June 1: Flashback ; Letting Go
Summary:
LAST WEEK! IT'S COMPLETED!
Notes:
(See the end of the chapter for notes.)
Chapter Text
Flashback
Letting Go
Ha, I'm so tired of this art project that the only way I could drag myself through this last week was challenging myself to use a medium I hadn't used before in this project (and be quick about it). So the first doodle is charcoal, the good old wonky stick type. The second - I don't even know what the hell it was, the reddish-brown stick was included in my cheapy cheap charcoal set, but I suspect it's simply a soft pastel (thankfully not a very dusty one). So maybe a bit of going back to the beginning there, as I briefly toyed with soft pastels early in this project.
Now I'm going to do a little happy dance just because next week, and the next one, and the next one, I don't have to make any art unless I really want to. Not like anyone forced me the last 38 weeks, but, you know. I did it! :D
Notes:
FINAL THOUGHTS ON THIS PROJECT:
Well this was fun. And it wasn't. Like most things, it was a very mixed bag.
I started out in September wanting to see if I could develop a personal, recognizable lineart style, something easy-looking and confident. Turns out I wasn't very motivated to do that after all. Or maybe I'm so stuck in my ways that I don't want to put myself through the process of de-learning some things and learning new ways of working. I've always been self-taught in almost everything (just doing stuff intuitively my way) and get easily irritated if I'm pushed out of my comfort and skill zones. Not a great learner!
The one thing where I definitely did step out of my comfort zone and gained confidence in was posting stuff that's less than perfect to my own eye. Ha, got quite good at that, actually! I think I got over the fear that someone tells me "this is not up to your usual standards". I'm hoping - while definitely aiming to create stuff that gives people feels - that this will make me work quicker and post more happy-making art instead of sweating over whether a piece is good enough to be posted. And I truly hope that my shit-posting (as I've called my super quick doodle weeks) has given someone else out there a feeling that they, too, can post stuff that might not be perfect by some artificial standard. I keep saying that great fanart can be drawn with stick figures, too.
One of the biggest joys in this project has been discovering oil pastels. They simply suit my way of working, the colors are easy to mix and I can work pretty fast (I'm impatient). One thing I've gotten a lot of feedback on is how much people love seeing traditional media used for fanart. I still don't know what to think of the difference between digital and traditional. Is there any? Don't I use my human hands to create digital art, too? What difference does it make if a piece of art exists in pixels instead of pigment (except that photographing the latter for online viewing is a pain in the ass)? I kept going back to digital art from time to time in this project, and certainly can't choose which I enjoy more, oil pastels or Photoshop. Probably will continue more with digital art for the simple reasons of less mess, no storage problems, available shortcuts to reach a better likeness, and endless editing options. The best medium for me is the one I actually bother to pick up to make art.
This 38-week project was probably the largest-scale art experiment I've ever done - or will ever do, at least on a strict weekly schedule. I kept expecting RL stuff to throw me off schedule, but it didn't. I kept expecting I'd just give up at some point, but I didn't. I guess the joy of having even a small purpose in life (even if it was self-inflicted pain in the ass sometimes) was worth it.
Thank you for following this project - and super thanks to those who tried the actual timestamp art roulette challenge even once! It's still open - the link to the (very loose) instructions is in the first chapter of this work. Simply put: let's make more art!
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